Showing posts with label Power. Show all posts
Showing posts with label Power. Show all posts

Tuesday, August 28, 2012

POLICE: TIMES HAVE SURELY CHANGED


WHAT GIVES WITH THE POLICE DEPARTMENT OF THESE DAYS?

Experiencing the failure of centralized planning on a massive scale (in this case for the area of police “protection”) Residents are arming themselves, getting guard dogs, forming neighborhood watches and hiring others to help protect their home or person to proactively mitigate crime. Good for them.

One high-ranking official in the county legal system, speaking to a newspaper reporter which I will leave un-named and said the rise in justifiable homicides mirrors a local court system that’s increasingly lenient of the practice.

“It’s a lot more acceptable now to get your own retribution,” the official said. “And the justice system in the city is a lot more understanding if people do that. It‘s becoming a part of the culture.”

That’s not a stretch. The same write-up included this passage from a Detroit police department employee:  ‘It’s not about police response time because often the act has already taken place by the time the police are called,’ said Sgt. Eren Stephens of Detroit. She said citizens have a right to defend themselves.

Should we be surprised ? Not at all! If anything, we should be surprised that people have put up with the current racket for so long.

Do you want government providing your food, to handle the growing, harvesting, processing, distribution and sale (or rationing)? Of course not – you know they’d do a poor job. So why trust people working for a claimed monopoly, who are subjected to the same perverse incentives, to supply “protection”?

How hypocritical it is for supporters of policing today (who think competition is untenable), to claim the need for police to protect people and property when the police themselves exist solely on the wealth others have created. The very foundation is based on violence. Every police salary paid or round of ammunition purchased was bought with stolen money. This circular logic says it’s ok for someone with a badge to steal from someone to “protect” them. Why does an action – theft – become ok when the thief dons particular attire?

It doesn’t. Fortunately that bad idea – that certain should be granted extra authority based on their place of employment, is eroding.



What’s becoming more commonplace in the world is just a harbinger of things to come elsewhere. Governments will implode under their own bloat. More people will withdraw their consent if not for moral qualms, because they find it in interest to become more self-sufficient or reach a consensual interaction with someone who has that comparative advantage to provide a certain good/service.

 

In his 1849 essay, The Production of Security, Gustave de Molinari proposed much the same. From a reviewer:

His singular contribution, then, was to lead us away from the false assumption of Hobbes that somehow the state was necessary to keep society from devolving into chaos. On the contrary, argued Molinari, the voluntary society is the source of order that comes from freedom itself. There is no contradiction or even tension between liberty and security. If free enterprise works well in one sector, it can work well in other sectors too.

Shouldn’t you have the choice how your money is spent? Wouldn’t you expect greater transparency and bang-for-your-buck if you yourself hired them and had the option to fire them? That’s what society could look like without a system sheltered from competition.

 

 The Way I C IT...

IF POLICE OFFICERS RETURN ACTING  LIKE THE TIMES WHEN LAW ENFORCEMENT DID HAVE A RELATIONSHIP WITH THE PUBLIC,




 

PERHAPS PEOPLE WILL BEGIN TO ACCEPT THAT THEY ARE ACTUALLY HERE TO HELP RATHER THAN HURT AND TRUST WILL BE ESTABLISHED AGAIN.

 

 




VIDEO BELOW

 

Wednesday, August 1, 2012

OUR MINDS:CHANGING TO MECHANICA, SURREALISM AND VIOLENCE

The Way I C It,

Our Minds Have Quickly Become Adjusted To Mechanica Violence And Surrealism.






Posted below are some pieces by artist, Bryn Oh in Second Life accompanied by my avatar.

Followed by,
















 VIOLET and DAISY














Ichi the Killer













Here is a surrealist visual interpretation of Michelangelo's "David".

The mixed media, wood, metal, glass, gears, bolts and pistons are constructed with neon lighting.













San Francisco avant-metal alchemists Nero Order fuse elephantine rhythms with expansive, tragic melodies and moody, severe vocals - effectively concocting a sound that is simultaneously abrasive and consonant, dynamic and cacophonous; academic in scope and violent in delivery.









Keith Kamholtz's graduate thesis, 'Surrogate Mechanica', is a 1-minute commercial for a robot designed to carry a developing human baby in its transparent mechanical womb. This, of course, spares a couple the pain, hardship, and risk of carrying and delivering the child. This sort of technology could also potentially allow infertile couples and/or same-sex partners to have a family as well. It may be rather far-fetched, but hey, you never know!

http://keithdigital.com/thesis.php

KEITH KAMHOLTZ














The Early Modern Era of revenge drama can essentially be boiled down to key components, a chain of events that build around a core of recurring themes and archetypes. The setting is always a place full of corruption, especially from self-serving leaders: they are vice-filled; sometimes a touch unhinged, and unbound by their power, be it inherited or stolen. These villains harm others with a reckless passion and then move onto the next helpless, innocent victim. Inevitably, one of those victims get overcome with a spirit of vengeance that leads to an assault on the very villains that have been too powerful to previously confront. But, in turn, the very corruption that these heroes have faced warps their sense of justice to turn them into twisted versions of their previous virtuous selves.

 

 

 

 

 

This is a revenger. Batman meets many of these qualities, but he is also very different: he meets many of these components but fails to go over the line somehow. He is every bit a modern Revenger, from origin to setting to many of his stories, but in a way he has evolved from the roles of the early revenger and has created a new image of the revenger hero. His fight isn’t solely against the darkness of the world around him, but also the darkness within. And so, I would say, that Batman is the modern product of Revenge drama themes, a man against the law but not against his morals.

 

 






 

  CIRQUE du SOLEIL- ALEGRIA










STAR LORD










 FARSCAPE SEASON 2











 GUARDIANS OF THE GALAXY














 

 

 






THIS UK COMMERCIAL IS PRETTY WEIRD

63336 - 'We Evil...'

In March 2010 a ridiculously over the top with its Freemasonry/Illuminati connotations advertising campaign for a company named 63336, shows the people proudly displaying the mark 63336 tattooed onto their chest or other body part, with obvious clear reference to 666 the mark of the beast. The TV advert is full of Freemasonry and Illuminati symbolism, and even forms part of the company’s logo.

It’s well known, that the drinks industry is run by an elite group of Freemasons, and also in 2010, Heineken the makers of Strongbow Cider – blatantly included their allegiance to Freemasonry, in a impressive advertisement more reminiscent to a scene out of Triumph of the Will, a propaganda film made by Leni Riefenstahl, which chronicles the 1934 Nazi Party Congress known as the Nuremberg Rally which was attended by more than 30,000 Nazi supporters.

 










MADONNA SUPER BOWL ENTRANCE WINGS








2012 Olympics Opening Ceremony






The initial “Green and Pleasant Land” of London's Theme for the opening ceremony was quickly deconstructed by rhythmic drumming and scenes which resembled a “Borg assimilation” of the landscape. As suited representations of the elite surveyed the scene with pride, the tree placed upon the Glastonbury Tor mock-up was uprooted to allow a flood of industrial workers to ascend from the underworld. It was nothing short of a destruction of nature and tranquillity, delivered with pomp and circumstance. As Kenneth Branagh stood on a platform surrounded by 9 columns of light, great industrial towers rose above the spectacle – reminding me of scenes from the John Hurt version of Orwell’s 1984.





Prophecy?











Sin City





















Valerie and Her Week of Wonders is a poignant, surreal Freudian fantasy in which a young girl's transformation from child to adult through the onset of puberty is expressed as a nightmarish fantasia, a dreamlike fairy tale populated with vampires, uncertain parentage, transformations from one state to another, grisly violence and lurid sexuality.














Final Destination 5














Where The Dead Go To Die













 

'Savages': Stone’s ultra-violent film











 

Gunfights are scary, hectic, surreal situations and happen far different, far different, than they are portrayed in movies, games and tv.



 

Kane & Lynch: Dead Men


The game invokes a sense of mindless violence.

The shooting is violent, bloody and often in public with civilians.

 People on the street used as target practise in Grand Theft Auto.




 

Mafia III Shoot Out






Resident Evil


 

Resident Evil After Life - Movie













Kanye West - Power